The forms are meant to be sensual, and often swollen,
but retaining a certain simplicity and clarity of spirit. I hope the viewer
is both visually and viscerally drawn into the work. They are primal shapes
with memory attached to them, both familiar and unfamiliar. There are a hybrid
of references to the body and other organic forms, but no precise identity.
This is meant to discomfort and unsettle as much as seduce.