At d berman gallery, touchable buttons and surging waters 

By Jeanne Claire Van Ryzin
American-Statesman Arts Writer
Saturday, April 21, 2001

 
 

Button, button -- who's better with buttons than
Austin artist Lauren Levy? 

The latest of Levy's beguiling, and often enigmatic, sculptures are on view at D. Berman Gallery. Most of the pieces follow Levy's usual pattern: child-size garments fashioned out of hundreds of like-colored buttons and beads strung on wire, both dense and hollow. Most are named after regional birds: "Blue Jay Jacket," "Grackle Jacket," "Crow Dress (Allemagne)." 

Levy's work is compelling (interestingly, most of the 14 pieces on exhibit have been sold already). Buttons are familiar things -- we handle them all the time, and with Levy's sculpture, the urge to touch is stronger than ever. Also, the chubby child forms are imminently huggable. But Levy's sculptures are empty -- the sense of loss that surrounds them is palpable. And in the newest gathering, some include bare wire, such as "Crow Dress (Allemagne)," or other unfriendly materials. Presence/absence, memory/forgetfulness, life/loss: The dichotomies of life are more apparent than ever in Levy's new work, making it her best to date. 

Sharing the gallery with Levy is "Fancy Plans," a new series of gouaches and oils on canvas by University of Texas art professor Susan Whyne. Almost all of Whyne's colorful scenes depict a cafe table and chairs of some sort against a vivid background of gestural, swirling lines that suggest a surging body of water. (The artist used a recent trip to Venice as inspiration.) Devoid of people, Whyne's images offer a brief moment of anticipation, a suggestion of the conflict between the civilized world and the raging forces of nature. 

But that anticipation winnows away after long or repeated viewing. With the
whole series repeating the same scene in such a similar fashion, there's a
feel that this is more a study for something bigger, rather than a finished body of work. And Whyne's experiments with effecting a sketchlike quality using paint don't always convince. There's a hint at something more with "Fancy Plans," but the hint remains just that. 

("Lauren Levy and Susan Whyne" continues through May 12 at D. Berman
Gallery, 1701 Guadalupe St. The artists will give a gallery talk today at 1 p.m.
Call 477-8877 or go to www.dbermangallery.com.) 

-- Jeanne Claire van Ryzin 

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