CATHERINE LEE

Solo Exhibitions

1980 P. S.1., New York City
1983 The University of Texas Art Gallery, San Antonio
1984 John Davis Gallery, Akron
1985 Gallery Bellman, New York City
John Davis Gallery, Akron
1986 John Davis Gallery, New York City
1987 John Davis Gallery, New York City
1988 Michael Maloney Gallery, Santa Monica
1989 Annely Juda Fine Art, London
Thomas Segal Gallery, Boston
1990 Marisa del Re Gallery, New York City
Galerie Karsten Greve, Paris
Gallery Kasahara, Osaka
Stephen Wirtz Gallery, San Francisco
1991 Galerie Jamileh Weber, Zürich
Galerie Karsten Greve, Köln
Kohji Ogura Gallery, Nagoya
1992 Städtische Galerie im Lenbachhaus, Munich
Neue Galerie der Stadt Linz, Linz
Galleri Weinberger, København
1993 Galerie Lelong, New York City
Annely Juda Fine Art, London
Limestone Press, San Francisco
1994 Hill Gallery, Birmingham, MI
1995 Galerie Karsten Greve, Paris
Galleri Weinberger, København
Galerie Lelong, New York City
Galerie Karsten Greve, Köln
Mizuma Gallery, Tokyo
1996 Galerie Academia, Salzburg
Galerie Jamileh Weber, Zürich
ArtPace, A Foundation for Contemporary Art, San Antonio TX
1997 Sonoma State University Art Gallery, Sonoma CA
Galleria Karsten Greve, Milano
1998 Bemis Art Foundation, Omaha, Nebraska
Galerie Karsten Greve, Köln
Galleri Weinberger, København
1999 San Diego State University Art Gallery, San Diego CA
Galerie Lelong, New York City
Lafayette College, Easton, PA
2000 Lyman-Allen Art Museum, New London, CT
Galerie Academia, Salzburg
Galería Carles Taché, Barcelona
2001 Galerie Karsten Greve, Milano
2002 Galleri Weinberger, København
2003 Galerie Jamileh Weber, Zürich
Galerie Karsten Greve, Paris
2004 Galerie Lelong, New York City
The Southwest School of Art and Craft, San Antonio, TX
2005 The Irish Museum of Modern Art, Dublin
Galerie Karsten Greve, Köln
2006 Galleri Weinberger, København
Hotel des Arts, Toulon
Musee d'Art Moderne, St Etienne

Selected Group Exhibitions

1978 Four Artists, curated by Per Haubro Jensen, Nobe Gallery, NYC
Summer Invitational, Nobe Gallery, NYC
1979 New Wave Painting, curated by Per Jensen, The Clocktower, NYC
Fourteen Painters, Lehman College, CUNY, NYC
1980 Mind Set, John Weber Gallery, NYC
Contemporary Works, curated by Sam Hunter, Princeton University Museum, Princeton, NJ
1981 CAPS at the State Museum, New York State Museum, Albany
Arabia Felix, curated by William Zimmer, Art Galaxy, New York City
New Directions, curated by Sam Hunter, traveling exhibition:
The Museum of Art, Ft. Lauderdale, FL
Oklahoma Museum of Art, Oklahoma City, OK
Santa Barbara Museum of Art, Santa Barbara, CA
Grand Rapids Art Museum, Grand Rapids, MI
Madison Art Center, Madison, WI
Montgomery Museum of Fine Art, Montgomery, AL
1982 Critical Perspectives, curated by Joseph Masheck, P.S.1, the Institute for
Art and Urban Resources, NYC
Group Invitational, Sunne Savage Gallery, Boston
Pair Group, curated by William Zimmer, Jersey City Museum of Art, Jersey City, NJ
Pastiche, Emily Harvey Gallery, NYC
1983 New Acquisitions, Franklin Furnace, NYC
All Over Painting, Grommet Gallery, NYC
MCAD Faculty Show, Minneapolis College of Art & Design, Institute of Art, Minneapolis, MN
Third Anniversary Exhibition, John Davis Gallery, Akron, OH
Contemporary Abstract Painting, Muhlenberg College Center for the Arts, Allentown, PA
Multiples, Jack Tilton Gallery, NYC
1984 Exhibition of Contemporary Art, Merrill Lynch Pierce Fenner & Smith, Inc, Akron, OH
Contemporary Art, National City Bank, Cleveland, OH
Fifteen Abstract Painters, curated by Per Haubro Jensen, Susan Montezinos Gallery, Philadelphia, PA
Small Works: New Abstract Painting, Lafayette College, Easton, PA
Fourth Anniversary Exhibition, John Davis Gallery, Akron, OH
Acquisition Priorities, curated by Laurie Rubin, William Beadleston Gallery,NYC
Summer Group Show, Gallery Bellman, NYC
1985 The Non-Objective World - 1985, curated by Stephen Westfall, Kamikaze,NYC
An Invitational, curated by Tiffany Bell, Condeso-Lawler Gallery, NYC
Fifth Anniversary Exhibition, John Davis Gallery, Akron, OH
1986 Inaugural Exhibition, John Davis Gallery, NYC
Catherine Lee and Sean Scully, Paul Cava Gallery, Philadelphia
Past and Present, curated by Steven Reynolds, University of Texas, San Antonio, TX
Gallery Artists, John Davis Gallery, NYC
Invitational, Saxon Lee Gallery, Los Angeles
Works on Paper, Althea Viafora Gallery, NYC
Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
24 x 24, Ruth Siegel Gallery, NYC
The Constructed Image, Laurie Rubin Gallery, NYC
1987 Lee, Lewczuk, Witek, Pamela Auchincloss Gallery, Santa Barbara, CA
5 Abstract Artists: Amar, Gitlin, Glick, Lee, Wiley, Michael Maloney Gallery, Santa Monica, CA
Gallery Artists, John Davis Gallery, NYC
Monotypes from the Garner Tullis Workshop, Laurie Rubin Gallery, NYC
Art Against Aids, Rosa Esman Gallery, NYC
Drawn Out, Kansas City Art Institute, MO
Black in the Light, Genovese Graphics, Boston
Selected Works, Albright-Knox Museum, Buffalo, NY
1988 Ten Americans, curated by John Caldwell, Museum of Art, Carnegie Institute, Pittsburgh, PA
Collaborations in Monotype, curator Phyllis Plous, traveling exhibition:
University Art Museum, Santa Barbara, CA
Huntington Gallery, University of Texas, Austin, TX
Cleveland Museum of Art, Cleveland, OH
Works from the Garner Tullis Workshop, Thomas Segal Gallery, Boston
Works on Paper: Selections from the Garner Tullis Workshop, Pamela Auchincloss Gallery, NYC
Seven American Abstract Artists, Ruggiero-Henis Gallery, NYC
40th Annual Academy Institute Exhibition, American Academy and Institute of Arts and Letters, NYC
Works on Paper Invitational, Shea & Beker Gallery, NYC
Works on Paper, Ruggiero-Henis Gallery, NY
1989 Sitings: Drawing with Color, traveling exhibition:
Instituto de Estudios Norteamericanos, Barcelona
Casa Revilla, Valladolid, Spain
Museo Barjola, Gijon, Spain
Calouste Gulbenkian Foundation, Lisbon, Portugal
Pratt Manhattan Gallery, NYC
Schafler Gallery, Pratt Institute, NYC
Monotypes from the Garner Tullis Workshop, Zolla-Lieberman Gallery, Chicago
Small Paintings, Nina Freudenheim Gallery, Boston
Monotypes from the Garner Tullis Workshop, Persons-Lindell Gallery,Helsinki
Drawings, Stephen Wirtz Gallery, San Francisco
Geometry and Abstraction, curated by Pamela Auchincloss, Persons- Lindell Gallery, Helsinki
Recent Acquisitions, Prints and Monotypes, The Tate Gallery, London
18th International Biennale of Graphic Art, International Centre of Graphic Art, Ljubljana, Yugoslavia
1990 Monotypes from the Garner Tullis Workshop, Malmgran Gallery, Göteborg
Inaugural Exhibition, Stephen Wirtz Gallery, San Francisco
Minimal Sculpture, Marisa del Re Gallery, NYC
Artists in the Abstract, curated by John Davis, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
1991 Drawings, Pamela Auchincloss Gallery, NYC
Group Exhibition, Marisa del Re Gallery, NYC
Contemporary Sculpture from the Weatherspoon Collection, Weatherspoon Art Gallery, Univ of North Carolina, Greensboro, NC
Catherine Lee Monotypes, Pamela Auchincloss Gallery, NYC
IIIème Biennale de Sculpture, Monte Carlo, Monaco
Art for Children’s Survival, Unicef, Lawrence Monk Gallery, NYC
1992 Geteilte Bilder, Das Diptychon in der neuen Kunst, Museum Folkwang, Essen, Germany
Reliefs, Konstructive Tendens, Stockholm
Monotypes from the Garner Tullis Collection, Carpenter Center for the Visual Arts, Harvard University, Cambridge
Women Critics, Bruton Street Gallery, London
Curated by Bill Maynes, Boshart Gallery, Old Chatham, NY
Juxtapositions, Annely Juda Fine Art, London
1993 Italia - America, L’astrazione Ridefinita, Galleria Nazionale d’Arte Moderna, San Marino, Italy
Couples, Annely Juda Fine Art, London
Art on Paper, The Weatherspoon Art Gallery, Greensboro, North Carolina
Transcending Boundaries, curated by Cynthia Gallagher and Arthur Williams, 92nd Street Y, NYC
Garner Tullis Workshop, Jan Weiner Gallery, Kansas City, MO
Contemporary Prints, Ten Years of Acquisitions, Cleveland Museum of Art, Cleveland, OH
Prints from the Garner Tullis Workshop, The Australian Print Workshop & the Darian Knight Gallery, Fitzroy, Australia
Drawings, 30th Anniversary Exhibition, The Foundation for Contemporary Performance Art, Leo Castelli Gallery, NYC
5 One Man Shows, Galerie Jamileh Weber, Zürich
1994 Shape, Pamela Auchincloss Gallery, NYC
Contemporary Prints, The Tate Gallery, London
29th Annual Exhibition of Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro, NC
Sculpture & Drawing, Galerie Lelong, NYC
1995 Summer Group Exhibition, Galerie Jamileh Weber, Zürich
Group Show, Galerie Lelong, NYC
Black & White I, Galleri Weinberger, København
U S Print / Grafiikkaa U S A, Garner Tullis Workshop, Retretti Art Center, Finland
Recent Acquisitions, Hofstra Museum, Emily Lowe Gallery, Hempstead, NY
1996 Jill Moser & Catherine Lee, University of Rhode Island
Serienbilder - Bilderserien , Städtische Galerie im Lenbachhaus, Munich
1997 Gallery Group Exhibition, parts I & II, Galerie Jamileh Weber, Zürich
New Editions, Galerie Lelong, NYC
1998 Group Show: Chillida, Judd, Lee, LeWitt, Mangold, Ryman, Galerie Lelong, NYC
Zeit und Materie, Baukunst, Köln
Group Exhibition, Galerie Karsten Greve, Paris
1999 Group Exhibition, Galería Carles Taché, Barcelona
Black & White III, Galleri Weinberger, København
25 Years, Galerie Jamileh Weber, Zürich
Encaustic Works, Watermark/Cargo Gallery, Kingston, NY
Das Gedächtnis öffnet seine Tore, die Kunst der Gegenwart im Lenbachhaus München, Städtische Galerie im Lenbachhaus, Munich
Collaborative Papers: Contemporary Works of Art from the Garner Tullis Workshop, Maier Museum of Art, Lynchburg, VA
Some New York Artists, BGH Gallery, Los Angeles
2000 New Works, Galerie Jamileh Weber, Zürich
2001 Minimalism, Past and Present, Galerie Lelong, NYC
X Biennial Visual Arts Faculty Exhibition, Univ of Texas at San Antonio
20 Years of Collaboration, Garner Tullis Workshop, NYC
2002 "2300F-2002", Grounds For Sculpture, the Johnson Atelier, Mercerville, NJ
2003 “Shift”, Galerie Lelong, NY
"Accrochage", Galerie Karsten Greve, Paris
2004 "Six Visions: Contemporary Ceramics", curated by Steve Reynolds, University of Texas at San Antonio
2008 d berman gallery, Austin, Texas, Exchange: Bodo Korsig & Catherine Lee

Selected Public Collections

Städtishe Galerie im Lenbachhaus, Munich
Museum of Modern Art, NYC
The Metropolitan Opera, NYC
Graphische Sammlung Albertina, Vienna
Cleveland Museum of Art
The Tate Gallery, London
The San Francisco Museum of Art
Vancouver Art Gallery, British Columbia
Neue Galerie der Stadt Linz, Austria
Milwaulkee Art Museum
Museum of Art, Carnegie Institute, Pittsburgh
Edward R. Broida Trust, Los Angeles
United States Department of State, Washington, D.C.
State University of New York, Cortland
Butler Institute of American Art, Youngstown, OH
Chemical Bank
Kröller-Mueller Museum, Netherlands
Phillip-Morris, Inc
The University of Michigan Museum of Art, Ann Arbor, MI
Kenan Center, Lockport, NY
IBM Corporation
Buscaglia-Castellani Art Gallery, Niagara University, NY
Weatherspoon Art Gallery, University of North Carolina
Boston Museum of Fine Art

Teaching History

Minneapolis College of Art and Design, Institute of Art, Minneapolis, MN visiting artist, fall 1982
University of Texas, San Antonio, TX visiting assistant professor, spring 1983
Columbia University, NYC adjunct professor, fall and spring 1986-87
University of Texas, San Antonio, TX visiting assistant professor, spring 2000

Bibliography

Hilton Kramer, The New York Times, December 14, 1979
John Ittner, The New York Post,, December 14, 1979
John Russell, The New York Times, July 19, 1981
Sam Hunter, New Directions, 1981, Museum of Art, Ft Lauderdale (catalog)
Robert C. Morgan, ‘Abstract Painting, the New Pictorialism’, New Directions, 1981, Museum of Art, Ft Lauderdale (catalog)
Daniel Grant, Newsday, February 28, 1982 (photo)
Vivian Raynor, The New York Times, October 10, 1982
Jan Tips, San Antonio Express News, May 1, 1983
William Zimmer, Catherine Lee, University of Texas, 1983 (catalog)
John Russell,The New York Times, May 11, 1984
David Carrier, ‘Catherine Lee’, Arts Magazine, Summer 1984
‘Contemporary Abstract Painting’, Center for the Arts, Muhlenberg College, 1983 (catalog)
Vivian Raynor, The New York Times, July 26, 1985 ‘Centennial Exhibition’, MCAD, Minneapolis Institute of Art, 1985 (catalog)
Steven Reynolds, Texans Past and Present, University of Texas, 1986 (catalog)
John Russell, The New York Times, May 2, 1986
John Russell, ‘Bright Young Talents’, The New York Times, May 18, 1986
Kay Larson, New York Magazine, May 19, 1986
Susan Fisher, New Art Examiner, June 1986
Tiffany Bell, Arts Magazine, Summer, 1986
Dan Cameron, ‘Report from the Front’, Arts Magazine, Summer 1986 (photo)
David Carrier, Art in America, October 1986
‘Art on Paper’, Weatherspoon Art Gallery, University of North Carolina, 1986 (catalog) ‘Catherine Lee’, John Davis Gallery, 1986 (catalog)
John Russell, The New York Times, April 17, 1987
Barry Schwabsky, Arts Magazine, Summer 1987
Josef Woodward,Santa Barbara News Press, August 29, 1987
John Caldwell, Ten Americans, Carnegie Museum of Art, 1987 (catalog)
Bill Holmsak, Tribune Review, Greensburg, PA, February 14, 1988
Paricia Lowry, The Pittsburgh Press, February 23, 1988
Phyllis Plous, ‘Monotypes Today’, Collaborations in Monotype, University Art Museum, University of California, Santa Barbara, CA, 1988 (catalog)
Cathy Curtis, The Los Angeles Times, July 1, 1988
Susan Tallman, ‘The Woodcut in the Age of Mechanical Reproduction’, Arts Magazine, January 1989
Stephen Westfall, ‘Catherine Lee’, Annely Juda Fine Art, 1989 (catalog)
William Packer, The Financial Times, London, March 21, 1989
Mary Rose Beaumont, Arts Review, March 24, 1989
William Feaver, The Observer, London, April 12, 1989
Pamela Auchincloss, ‘Geometry and Abstraction’, Persons/Lindell Gallery, Helsinki, 1989 (catalog)
Christine Temlin, The Boston Globe, July 27, 1989
Timo Valjafka, Helsingin Sanomat, Helsinki, December 6, 1989
Dan Sundell, Hufvudstadsbladet, Helsinki, December 11, 1989
Susan Tallman, ‘Contemporary Woodblock Prints’, Jersey City Museum, NJ, 1989 (catalog)
‘XX Century Sculptures’, Galerie Academia, Salzburg, 1990 (catalog)
Peggy Cyphers, Arts Magazine, March 1990
Frances de Vuono, Art News, May 1990
Walter Thompson, Art in America, June 1990
David Carrier, Art International, Summer 1990
Geraldine Norman, The Independent, London, September 24, 1990
‘Height Width Length’, Weatherspoon Art Gallery, University of North Carolina, 1991 (catalog)
‘IIIème Biennale de Sculpture’, Monte Carlo, 1991 (catalog)
Anne Rüegsegger, ‘Catherine Lee’, Artis, May 1991
‘Art for Children’s Survival’, Unicef, 1991 (catalog)
‘Kanpo’, Tokyo, November 1991 (cover illustration)
Petra Kipphof, Journal, January 1992
Robert C. Morgan, ‘The New Endgame’, Tema Celeste, February 1992
Demetrio Paparoni, ‘A Conversation with Catherine Lee’, Tema Celeste, February 1992, English edition
Demetrio Paparoni, ‘Conversazione con Catherine Lee’, Autumno 1992, Tema Celeste, Italian edition
David Carrier, ‘The Life of Forms in Catherine Lee’s Art’, Outcasts, New Works by Catherine Lee, Städtische Galerie im Lenbachhaus, Munich 1992 (catalog)
Helmut Friedel, ‘Catherine Lee’,Outcasts, New Works by Catherine Lee, Städtische Galerie im Lenbachhaus, Munich, 1992 (catalog)
Claudia Jaeckel, ‘Die Freiheit des Geistes’, Süddeutsche Zeitung, Munich, also Ebersberg, Starnberg, Bad Tölz, May 26, 1992
Barbara Reitter, ‘Catherine Lee im Lenbachhaus’, Donau-Kurier, May 22, 1992
Gert Gliewe, ‘Catherine Lee im Lenbachhaus’, Abendzeitung, München, June 2,1992
Alexander Hosch, ‘Archaische Mittel, Postmoderne Kunst’, June 6, 1992, appeared in:
Rottaler Anzeiger, Grafenauer Anzeiger, Alt-Neuöttinger Anzeiger, Deggendorfer Zeitung, Bayerwald-Bote Regen, Passauer Neue Presse
Barbara Reitter, ‘Mit Sauer und Feuer’, Bayerische Staatszeitung, München, June 12, 1992
Joachim Goetz, ‘Der Bildgrund und die Oberfläche’, Trostberger Tagblatt, June 19, 1992
Maribel Koniger, ‘Catherine Lee’, Tema Celeste, Autumn 1992
Catherine Lee, ‘The Question of Gender in Art’, Tema Celeste, Autumn 1992
Torben Weirup, ‘En Amerikaner i København’, Berlingske Tidende, November 22, 1992
Oystein Hjort, ‘Forfinet Forhold til Farven’ Politiken, København, December 8, 1992
Peter Klimitsch, ‘Austellung, Catherine Lee’, Kurier, Linz, Austria, December 3, 1992
Peter Moseneder, ‘Ausgestossen’, Nachrichten, Linz, December 4, 1992
Jacqueline Brody, The Print Collector’s Newsletter, July/August 1992
Catherine Lee, Galerie Academia, Salzburg 1992 (catalog)
Sister Wendy Beckett, Art and the Sacred, 1992, Random Century, Sydney, Australia
Gerhard Finckh, Geteilte Bilder - Das Diptychon in der neuen Kunst, Museum Folkwang, Essen, 1992 (catalog)
Elio Cappuccio, ‘Verso Bisanzio, Con Disincanto’, Sergio Tossi Arte Contemporanea, Prato, Italy, 1992 (catalog)
David Carrier, ‘La vita delle forme nell’arte di Catherine Lee’, Titolo, Perugia, Autumn 1992
Catherine Lee, pub. Annely Juda Fine Art, London 1993 (catalog)
William Feaver, ‘Catherine Lee’, The Sunday Observer, London, March 21,1993
Gill Saunders, ‘Sculpture with it’s Back to the Wall’, Women’s Art Magazine, London, May 1993
Enrique Juncosa, ‘Catherine Lee’, Lapiz, Madrid, May 1993
Catherine Lee, pub. Galerie Academia, Salzburg, Austria, 1993 (catalog)
Hoevy Brock, ‘Catherine Lee’, Art News, New York, summer 1993
‘Catherine Lee’, The Print Collector’s Newsletter, July/Aug 1993
Danile Kurjakovic, ‘Frischer Wind von Westen’, Zürichsee-Zeitung, September 11, 1993
Demetrio Paparoni, ‘The Self-Regulation of the System’, Italia-America,
Carla Steininger, ‘Back to the Elementary Prerequisites of Art’, Salzburger Nachrichten, April 15, 1993
‘Partners’, pub. Annely Juda Fine Art, London 1993 (catalog)
David Carrier, ‘Italia-America’, Segno, Pescara, Italy, summer 1993
Arturo Schwartz, ‘Una Mostra da Non Perdere’, Segno, summer 1993
Angelo Trimarco, ‘Italia-America’, Tema Celeste, autumn 1993
Hans W. Langwallner, ‘Ex Nihilo. Day and Night’, Nike, München, August 1993
‘Prints and Photographs’, The Print Collector’s Newsletter, July-August 1993
Faye Hirsch, ‘Catherine Lee at Galerie Lelong’, Art in America, September 1993
Daniel Kurjakovic, ‘Frischer Wind von Westen’, Zurichsee-Zeitung, Sept 11, 1993
Judith Trepp, ‘Zurich, 5 One man Shows’, Art News, January, 1994
‘La Differenzia Tra i Sesi Nell’Arte’, Tema Celeste, winter 1994
Marsha Miro, ‘Painting and Sculpture’, Detroit Free Press, March 11, 1994
David Carrier, ‘Studio: Catherine Lee’, Sculpture, November 1994
Eva Pohl, ‘Infinity in Perspective’, Berlingske Tidende, January 20, 1995
Oystein Hjort, ‘Between Sculpture and Painting’, Politiken, København, February 3, 1995
Marjaana Toiminen, ‘Retretin Kesa: U. S. Print’, Grafiikanlehti, Finland, May 23, 1995
Helmut Friedel, ‘Color is Indeed a Body’, pub. Mizuma Gallery, Tokyo, 1995 (catalog)
‘Catherine Lee’, Sankei, Tokyo, December 31, 1995
Eleanor Rait, Recent Acquisitions 1991-1995, pub. Hofstra Museum, 1995 (catalog)
Alicia Faxon, ‘Figuration Forward’, Art New England, June-July 1996
Pepe Karmel, The New York Times, January 5, 1996
Wolfgang Richter, ‘Im Dialog der Elemente das Maß feiner Poesie’, Salzburger Nachrichten, April 18, 1996
Dan R. Goddard, San Antonio Express-News, April 28, 1996
Catherine Lee, Galerie Academia, Salzburg 1996 (catalog)
Geijutsu Shincho, edition #2, Tokyo, 1996
Carter Ratcliff, ‘The Art of Catherine Lee’, Catherine Lee: the Alphabet Series, pub. Pamela Auchincloss, NYC, 1997 (catalog, 1st edition)
Faye Hirsch, ‘Placing Memory : Catherine Lee’s Alphabet’s Series’, Catherine Lee: the Alphabet Series, pub. Pamela Auchincloss, NYC, 1997 (catalog, 1st edition)
Sandy Thompson, ‘Catherine Lee’, Artweek, Jan 1998
Von Renate Roos, ‘Die Zeit steht heir still’, Kolner Stadt - Anzelger, February 7-8, 1998
Dan O’Kane, ‘Catherine Lee from A to Z’, the Reader, March 5, 1998
Gallery Kasahara 1972 - 1997, pub. Kasahara, Osaka, 1998 (catalog)
Kyle MacMillan, ‘Artistry in Bronze’, Sunday World Herald, April 5, 1998
Jurgen Raap, ‘Catherine Lee’, Kunstforum, International, April - June 1998
Elena Di Raddo, ‘Catherine Lee’, Tema Celeste, March - April 1998
Gudrun Schmidt-Esters, ‘Steinzeitliche Grube’, Keramic Magazin, April 1998
Catherine Lee, ‘The Making of the Thing’,Tema Celeste, October-December 1998
Graham Shearing, ‘Collaboration’, Pittsburgh Tribune-Review, November 1, 1998
David Carrier, Garner Tullis and the Art of Collaboration, 1998
Robert C. Morgan, ‘Catherine Lee: Sentinels’, Review, September 1999
Kenneth J. Endick, ‘Elemental Art’, Express-Times, Easton, PA, September 24,1999
Helmut Friedel and Ulrich Wilmes, Das Gedächt öffnet seine Tore; die Kunst der Gegenwart im Lehbachhaus München, pub. Hatje Cantz Verlag, 1999 (catalog)
Carter Ratcliff, ‘The Art of Catherine Lee’, Catherine Lee: the Alphabet Series, pub. University of Washington Press, NYC, 1999 (catalog, 2nd edition)
Faye Hirsch, ‘Placing Memory : Catherine Lee’s Alphabet’s Series’, Catherine Lee: the Alphabet Series, pub. University of Washington Press, NYC, 1999 (catalog, 2nd edition)
Hearne Pardee, ‘New York Reviews: Catherine Lee’, Artnews, October 1999
Lance Esplund, ‘The More the Merrier’, Modern Painters, Winter 1999
Johnathan Goodman, ‘Catherine Lee’, Sculpture Magazine, January 2000
Enrique Juncosa, ‘Choreography and Metal’, Catherine Lee, Galleria Carles Tache, Barcelona, 2000 (catalog)
Lily Wei, ‘Catherine Lee’, Tema Celeste, February 2000
Robert C. Morgan, Catherine Lee, Galerie Academia, Salzburg, 2000 (catalog)
Reena Jana, 'New York Reviews: Catherine Lee', Artnews, November 2004
Elizabeth Ferrer, ‘An Archaelogy of Form: Catherine Lee’, Shards. The Work of Catherine Lee, Southwest School of Art & Craft, San Antonio, TX, 2004 (catalog)
Francis Colpitt, ‘In the Realm of the Pictorial’, Shards. The Work of Catherine Lee, Southwest School of Art & Craft, San Antonio, TX, 2004 (catalog)
Catherine Lee, ‘On Things of Truth and Beauty’, Shards. The Work of Catherine Lee, Southwest School of Art & Craft, San Antonio, TX, 2004 (catalog)
Elaine Wolff, ‘Say It Again', San Antonio Current, Nov 11, 2004
Dan R. Goddard, 'Shards Recalls Remnants of Ancient Civilisations', San Antonio Express-News, Nov 29, 2004
Nancy Princenthal, 'Catherine Lee', Art in America, December 2004
'CATHERINE LEE', The Irish Museum of Modern Art, Dublin; hardcover, pub. Charta Art Books, Milan, 2005; forward by Enrique Juncosa, texts by Lorand Hegyi, Caoimhin Mac Giolla Leith, Nancy Princenthal
'CATHERINE LEE', Hôtel des Arts, Toulon; pub. Hôtel des Arts; Centre Méditeranéen d'Art, Conseil Général du Var, Toulon, France; 2006; textes de Gilles Altieri, Lorand Hegyi, Caoimhin Mac Giolla Leith, Nancy Princenthal (catalog)
'CATHERINE LEE', Musée d'Art Moderne de Saint-Etienne, pub. Musée d'Art Moderne de Saint-Etienne Métropole, Saint-Etienne, France; 2006; texts (in French and English) by Lorand Hegyi, Caoimhin Mac Giolla Leith, Nancy Princenthal (catalog)