EDUCATION
1995 University of Texas at Austin, B.F.A., Sculpture
INVITATIONAL AND JURIED GROUP EXHIBITIONS
2004 d
berman gallery, Austin, Texas, Faith Gay & Lauren Levy
Griffith Gallery, Stephen F. Austin University Gallery, Nacogdoches,
Texas, Material Possibilities, curated by Mary McCleary
McClain Gallery, Houston, Texas, Brave New World
2003 d berman gallery, Austin, Texas, Summer Light
2040 Gallery, Austin, Texas, Love Connection
2002 Women & Their Work, Austin, Texas, Three Painters
Galveston Arts Center, Galveston, Texas, Surface Tensions
Studio 107, Austin, Texas, The Game Show
2001 Gallery Lombardi, Austin, Texas, New Works
Gallery Lombardi, Austin, Texas, Mas! Mas! Mas! Por Que? Por Que? Por Que? A
Show of Curious Collections
Blue Theatre, Austin, Texas, The San Francisco-Austin Optical Shoot-Out
Studio 107, Austin, Texas, An Adult Fantasy in Visuals
Gallery Lombardi, Austin, Texas, New Technology vs. Old Technology
2000 Gallery Lombardi, Austin, Texas, Xmas Group Exhibit
Art Exhibitions Group @ UT, Austin, Texas, Passing Through Walls
1999 AVAA Gallery Fall Show, Austin, Texas, Red October
Installation in conjunction with Ariel Dance Theatre performance, Reflex: Small
Work
Off Center, Angels Without Heads: 80’s Technotarps installation, a collaboration
with Tiana Hux
(Presented by) Women & Their Work, Austin, Texas, Art in the Garden
1998 Celeste and Elliot Gallery, Zurich, Switzerland, Winterkollektion
1997 Performance presented by Alton Dulany, Cirque de Sortes
Performance with Tiana Hux, Alice in Wonderland Tea Party
Installation in Daneshjou House, Nuvoreesh III
1996 Frontera Fest performance event, Mi Casa Su Teatro
1995 Began collaboration on 1414 Holly Street/Crackerhouse with Andy Colquitt
BIBLIOGRAPHY
2003 Jeanne
Claire Van Ryzin, “Don’t Hate This Exhibit Because It’s Beautiful”,
Austin American-Statesman, 24 July.
Jacqueline May, “Summer Light”, Austin Chronicle, 1 August.
Rachel Koper, “Summer Light”, Glasstire, July & August.
2002 Nest Magazine. Spring Edition, 21.
2000 Austin Chronicle. “Artists Dance with Stone, Fiber, Dotted Blocks”, Michael Barnes, December.
1999 Featured artist in “Austin: Celebrating the Lonestar Millenium”, Dan Rather, Towery Publishing, Inc.
1998 Austin American Statesman. “An Artful Address: with Murals, Frescoes, and Sculpture, a Thesis Project Blossoms into Much More at an Austin House”, Shermankaye Bass, August 4.
“1414 Holly Street”, Garden Gate Magazine. #25 February, #22 A.