PUBLIC ART

2003 A Collaborative Project: International Peace Monument for Arlington, Gene Allen Park, Arlington, Texas
Fort Worth Convention Center Public Art Project, Fort Worth, Texas. Finalist.
2002-3 North and South Platform APM Stations, Dallas-Fort Worth Airport - International Terminal, Fort Worth, Texas
2002 Mexican-American Cultural Center, Austin, Texas.
Jenard Gross Elementary School, Collaboration with John Hernandez, Houston, Texas.
Eyesore or Artwork? Seven Conceptual Solutions to Tornado-Battered Bank One Building, Commissioned by the Fort Worth Star-Telegram, Fort Worth, Texas. Writer and Curator: Liz Stevens
2001 The Bridge: 50th Anniversary of Sister Cities of Bad Konigshofen and Arlington, Monument in Arlington Park, Bad Konigshofen, Franken, Germany. A collaboration between Bad Konigshofen artists and Arlington artists.
2000-2004 Houston Metropolitan Transit Authority Light Rail Station Design Project: Medical Center, in association with PDG Architects. Houston, Texas
1998-2002 Dallas Area Rapid Transit Station Design Project: Arapaho Station, Richardson, Texas.
1998 Latino Cultural Center Public Art Project, Dallas, Texas. (Finalist)
1997-2002 Convention Center Expansion Project: Public Art Program, San Antonio, Texas. (In Progress)
1996 Talente Bilingue de Houston Theatre Mural, Houston, Texas
1995-2000 Metro Streets Project: Artists: Rachel Hecker, Benito Huerta, and Richard Turner; Houston, Texas. (Huerta’s Main Street plans scrapped for new plans for Metro Light Rail System)
1993-95 SPARKS Program, Crockett Elementary School, Houston, Texas, Architect: Jerry Parish; Artist: Benito Huerta. (Unrealized)
1992-94 SPARKS Program, Pearl Rucker Elementary School, Houston, Texas. Landscape Architect: Thad Kudela, Artist: Benito Huerta. (Partially Realized)
1992-93 La Villa de las Flores, Affordable Housing Development of the City of Houston. Navigation and Milby, Houston, Texas. Contractor: Rick Castaneda, Omega Engineers; Landscape Architect: Ed Wong. Design Team: Benito Huerta (Lead Artist), Carter Ernst, Tim Glover, Paul Kittelson, Abe Royster; University of Houston Architecture Department; A.I.A. (Unrealized)

PERFORMANCES

1994 “Prisoner”, The Zocalo Theater, Houston, Texas, Writer - Director: Michael Batty. (Performer)
‘Lost in the Stars’ One Minute Ax, The Zocalo Theater, Houston, Texas. Curator: Jim Pirtle.
Artist’s Who Write, Diverse Works, Houston, Texas. Curator: Gary Reese
1985 “Fear of Insomnia", American Viewpoint, The Lab, San Francisco, California. Collaboration with Carl Heyward.

CURATOR OR JUROR

2004 Steve Murphy and Linda Ridgeway, (Brochure) The Gallery at UTA, Arlington, Texas. (Curator)
2003 Annette Lawrence and Sydney Yeager, (Brochure) The Gallery at UTA, Arlington, Texas. (Curator)
Brookhaven College Juried Art Student Exhibition, Forum Gallery and Studio Gallery, Brookhaven College, Farmers Branch. (Juror)
Nadezda Prvuloic and Kaneem Smith, (Brochure) The Gallery at UTA, Arlington, Texas. (Curator)
2002-2004 Stories Your Mother Never Told You: A Survey of Photographs and Text by Celia Munoz, (a traveling 22 year survey with catalogue), The Gallery at UTA, Arlington, Texas; Galveston Art Center, Galveston, Texas; Mexic-Arte Museum, Austin, Texas; Tyler Museum of Art, Tyler, Texas; El Paso Museum of Art, El Paso, El Paso, Texas. Organized by The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
2002 Vincent Falsetta and Casey Williams, (Brochure) The Gallery at UTA, Arlington, Texas. Curator
Art of Albuquerque, (Catalogue) Albuquerque Museum of Art, Albuquerque, New Mexico. Sponsor: Magnifico. Curators: Eddie Dominguez, Benito Huerta and Merry Foresta
Young American Talent Competition, Booker T. Washington School Washington High School for the Visual and Performing Arts, Dallas, Texas. Sponsor: Visual Arts Guild. 2-D Juror
Stories Your Mother Never Told You: A Twenty Two Year Survey of Work by Celia Alvarez Munoz, Blue Star Artspace, San Antonio, Texas. Curator
Figure: 3 + 3 x 3, (Brochure) The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
Texas Works 2002, (Brochure) Buddy Holly Center, Lubbock, Texas. (Curator)
2001 T. Paul Hernandez and Michael Whitehead, (Brochure) The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
James Cobb and Leticia Huerta, Arlington Museum of Art, Arlington, Texas. (Curator)
The Art Show: Spring Student Art Competition, C.E. Hyde Art Ga;llery, Texas Weslayan University, Fort Worth, Texas
Private Collections: Artists, Curators and Collectors, (Brochure) The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
Seriotoon: Comics and Commentary. Rachel Hecker, John Hernandez and Roger Shimomura, (Brochure) The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
2000 Dimension Exhibit, Art Center, Corpus Christi, Texas. Co-juror with Kent Rush.
Barbara Andrus and Joe Mancuso, (Brochure) The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
On Death Row: Richard Kamler, Vicki Meek and Rob Ziebell, (Brochure) The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
Visions and Movement: Public Art and Public Transit, (Catalogue)
The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
Y2K Expo, 500X Gallery, Dallas, Texas. (Juror)
1999 PIX, Univeristy of Texas at Dallas, Richardson, Texas. (Co-Curator)
Texas Paper, (Brochure) The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
Exile Off Main Street: David McGee, (Brochure) CRCA: The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
1998 Cesar Martinez, (Catalogue) Art Museum of South Texas, Corpus Christi, Texas. (Curator)
Susan Harrington and Cesar Martinez, (Brochure) CRCA: The Gallery at UTA, University of Texas at Arlington, Texas. (Curator)
SPIVA BIENNIAL ’98, George A Spiva Center for the Arts, Joplin, MO. (Juror)
UTA Video Festival, University of Texas at Arlington, Texas. (Juror)
Andrew Bennett and Kate Breakey, CRCA: The Gallery at UTA,
University of Texas at Arlington, Texas. (Curator)
Connie Arismendi and Kathy Vargas, (Brochure) CRCA: The Gallery at UTA,
University of Texas at Arlington, Texas. (Curator)
Visual Artist Fellowship Juror, Shreveport Regional Arts Council, Shreveport, Louisiana
1997-2000 Luis Jimenez: Working Class Heroes; Images from the Popular Culture, (Catalogue) Dallas Art Museum, Dallas Texas; Eiteijorg Museum, Indianapolis, Indiana; Museum of Texas Tech University, Lubbock, Texas; Tacoma Art Museum, Tacoma, Washington; Palm Springs Desert Museum of Art, Palm Springs, California; Sarah Campbell Blaffer Gallery, University of Houston Houston, Texas; Fred Jones Jr. Museum of Art, Norman, Oklahoma; Florida International University Art Museum, Miami Florida; Mexican Art Museum, Chicago, Illinois. Sponsor: Exhibits U.S.A. (Curator and Essayist)
1997 Tres Proyectos Latinos: Re-Collections, (Brochure), Austin Museum of Art, Austin, Texas. Curators: Benito Huerta, Victor Zamudio-Taylor with Henry Estrada and Kathy Vargas
Establishment and Revelation, (Catalogue) Dallas Visual Art Center, Dallas, Texas. (Curator and Essayist)
1997-98 Inescapable Histories: Mel Chin, (Catalogue), Western Washington University, Bellingham, Washington; Irving Arts Center, Irving Texas; Scottsdale Center for the Arts, Scottsdale, Arizona; Washington State University, Museum of Art, Pullman, Washington; Moody Gallery of Art, University of Alabama, Tuscaloosa, Alabama; Weatherspoon Art Gallery, University of North Carolina at Greensboro, North Carolina; Sponsor: Exhibits USA. (Curator and Esaayist)
1995 Blue Star Annual Ten: One Plus Nine, Blue Star Art Space,
San Antonio, Texas. (Curator)
1994 Kathy Vargas: Milagros de Corazon, Lynn Goode Gallery, Houston, Texas. (Curator)
1993 Visions of Excellence, Albuquerque, New Mexico, Jurors: Deborah Grotfeldt, Lynn Herbert, Benito Huerta. Sponsor: Albuquerque United Artists.
Undercurrents, Lynn Goode Gallery, Houston, Texas. Curators: Lynn Goode and Benito Huerta
Texas Biennial, (Catalogue), Food and Fiber Building, Texas State Fairground, Dallas, Texas. Jurors: Chris Cowden, Al Harris, Benito Huerta, Marti Mayo.
Heritage, Art League of Houston, Texas. (Juror)
University of Houston Clear Lake Student/Alumni Art Exhibition, University of Houston, Clear Lake, Texas. (Juror)
Sighs of Angels, Connie Arismendi, Lynn Goode Gallery, Houston, Texas. (Curator)
1992 High School Art Symposium and Portfolio Competition, Kilgore, Texas. Jurors: John Collier and Benito Huerta. Sponsor: Kilgore College.
1991 Contemporary Hispanic Women Artists of Texas (Catalogue), Art Center, Waco, Texas; Laguna Gloria Art Museum, Austin, Texas; Midtown Art Center, Houston, Texas; Artists’ Loft, Galveston, Texas; Del Rio Art Center, Del Rio, Texas. (Curator)
1988 John Hernandez, Frank Fajardo, and Kathy Vargas, O'Kane Gallery, University of Houston-Downtown, Houston, Texas; (curator)
1986-87 Chulas Fronteras: An Exhibition of Contemporary Texas Hispanic Art (Catalogue),. Midtown Art Center, Houston Texas; Bathhouse Cultural Center, Dallas, Texas; Cultural Activities Center, Temple, Texas; Texas Sculpture Symposium Art Space, San Antonio, Texas; Weil Gallery, Corpus Christi State University, Corpus Christi, Texas; Americana Museum, El Paso, Texas; McAllen International Museum, McAllen, Texas. (Curator and Tour Coordinator)
1985 Cowboys, Cadillacs, and Computers, Lawndale Alternative, University of Houston. Houston, Texas, Artist and Curator of Cowboy Segment: Benito Huerta. Cadillac Curator: Tacey Tajan, Computer Curator: Bernard Sampson.
1983 Seen and Unseen: A Look at Eleven Artists, Diverse Works, Houston, Texas. (Artist and Curator)
1977 The 56th Annual, Internationally Famous, Once-in-a-Lifetime Tie Exhibition. New Mexico State University Art Department, Las Cruces, New Mexico. (Juror and Organizer)
1976 The Partial Discovery of the Long Lost (Mock) Faculty Exhibit, Art Annex, University of Houston, Houston, Texas. (Artist and Curator) (Students and one non-student parody the work of the University of Houston Faculty. Opening held April Fools' Day)
Moving Picture Show, University of Houston Campus, Houston, Texas. (Artist and Curator) (Group of art students carry their own artwork around campus and stop in heavily congested areas of the campus)
1975 A Spontaneous Art Exhibit, University Center, University of Houston, Houston, Texas. (Artist and Curator) (A one-day group exhibit)

LECTURES, PANELS, RESIDENCIES AND PROFESSIONAL AFFILIATIONS

2003-Present Associate Professor and Director, Department of Art and Art History and The Gallery at UTA, University of Texas at Arlington, Texas
2002 Exhibition Advisory Committee, Fort Worth Community Arts Center, Fort Worth, Texas
The Year in Review, 2002 Americans for the Arts Annual PreConference, Nashville, Tennessee. Presenter
Texas Curators’ Roundtable, Austin Museum of Art, Austin, Texas
What Artists Want, 2002 Annual Meeting of the Texas Association of Museums, Lubbock, Texas. Chair of panel.
Who Are You Kissing Now, 2002 Annual Meeting of the Texas Association of Museums, Lubbock, Texas. Panelist.
Artist Selection Panel for Town Lake Park Fountain/Plaza Public Art, Art in Public Places, Austin, Texas
2002-2004 Vice-President - Board of Directors, ArtLies, Houston, Texas
2001-2002 The Steering Committee for the Greater Fort Worth Cultural Plan, Arts Council of Fort Worth and Tarrant County, Fort Worth, Texas
Fall Lecture Series: Arlington-Bad Konigshofen Artist Collaborative Sculpture Project, Arlington Museum of Art, Arlington, Texas.
2001 Creating a New World: Art and Literature of the Hispanic Americas, Artist Panel, Dallas Museum of Art, Dallas, Texas
High School Repeat Visit Program, Modern Art Museum, Fort Worth, Texas
2000-2001 Artist Selection Panel for the Dallas Police Headquarters Public
Art Projects, Office of Cultural Affairs, City of Dallas, Texas
2000 Exhibiting Attitudes: Exhibition and the Definition of Quality, National Council of Art Administrators Annual Conference, The McKinney Art Center, Dallas, Texas
College Night, Art Museum of South Texas, Corpus Christi, Texas.
Fresh Beginnings Workshop Series, African American Museum, Dallas, Texas
Can Art be Public? Challenges of Public Process, Moderator, International Sculpture Conference, Houston, Texas.
Cotsworld Artist Selection Panel, Cultural Arts Council, Houston, Texas
The Once and Future Artist, Texas Christian University, Fort Worth, Texas
1999-2001 President of the Dallas Art Dealers Association, Dallas, Texas
1999 Gallery Talk, Fine Arts Center, Lubbock, Texas.
axis mundi, Lecture, Texas Tech University, Lubbock, Texas.
Chicano Artists: A Celebration of Community, Panel, Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma
The Power of Ideas: Luis Jimenez, Consultant on Video, The University of Oklahoma, Norman, Oklahoma.
Seventeenth Annual Congressional Arts Competition, The University of Texas at Arlington University, Arlington, Texas
Awards to Artists Committee, Dallas Museum of Art, Dallas, Texas.
The Americas in Transition: New Developments in the Southern Cone; The Shift in the Cultural Axis, The Seventeenth Annual Fulbright Symposium, University of Arkansas, Fayetteville, Arkansas
Visiting Artist, University of Arkansas, Fayetteville, Arkansas
Don’t Revoke My Creative License, Panel, Texas Association of Museums Conference, Fort Worth, Texas
FY 99-00 Museum Services Review Panel, Office of Cultural Affairs, Dallas, Texas
Bicultural or Schizophrenia?, Lecture, University of Texas at San Antonio, Texas
Untitled Opera, Lecture, Southwest Texas State University, San Marcos, Texas
Exile Off Main Street, David McGee and Benito Huerta, Modern Art Museum,
Fort Worth, Texas
1998 Inescapable Histories: Mel Chin, Dialogue with Mel Chin, Weatherspoon Art Gallery, University of North Carolina at Greensboro
Public Art, Panel Discussion, Weatherspoon Art Gallery, University of
North Carolina at Greensboro
The State of Installation Art Regionally and Nationally,
Panel Discussion, The McKinney Art Center, Dallas, Texas
Contemporary Art from Yucatan, University of Texas at Arlington Library, Arlington, Texas
The Artist’s Eye, Kimbell Art Museum, Fort Worth, Texas
1997-2003 Assistant Professor and Curator, Department of Art and Art History and The Gallery at UTA, University of Texas at Arlington, Texas
1997-2001 Executive Co-Director, ArtLies, A Texas Art Journal, Houston, Texas
1997-1999 Board of Directors, Dallas Visual Art Center, Dallas, Texas
1997 Inescapable Histories: Mel Chin, Lecture, Scottsdale Center for the Arts, Scottsdale, Arizona
Inescapable Histories: Mel Chin, Lecture, Irving Art Center, Irving, Texas
Working Class Heroes: Luis Jimenez, Gallery Talk, Dallas Museum of Art, Dallas, Texas
Crossing Cultures, Crossing Borders: Art and Life in the Southwest, Panel Discussion, Dallas Museum of Art, Dallas, Texas
Retro-Lec, Lecture, University of Texas at Arlingtion, Arlington Texas
1996 Individual Artists Fellowship Panel in the Visual Arts, Ohio Arts Council, Columbus, Ohio
Creation & Presentation, Visual Arts Reviewer, National Endowment for the Arts, Washington, D.C.
Visual Arts Review Panel, City of San Antonio Department of Arts and Cultural Affairs, San Antonio, Texas
Regionalism/Racism: Geography, Ethnicity and the Museum Agenda, Panel Discussion, Le Comite International pour les Musees d'Art Modern et Contemporain (CIMAM) Conference, Omni Hotel, Houston, Texas
Artist/Dealer Relationships, Blue Star Artspace, San Antonio, Texas
Awards to Artists Committee, Dallas Museum of Art, Dallas, Texas.
The Perils of Schizophrenia, Lecture, San Antonio College,
San Antonio, Texas
The Art of Collaboration: Working on a Design Team, Public Art Workshop, Houston, Texas. (Sponsor: Cultural Arts Council of Houston)
1995-96 Visual Arts Peer Review Panel, Texas Commission on the Arts, Austin, Texas
(1996- Chair)
1995 The Virtues of Schizophrenia, Lecture, Weatherspoon Art Gallery, Greensboro, North Carolina
Visiting Artist-In-Residence, University of Colorado at Boulder. (One week residency)
Visiting Artist-In-Residence, University of North Carolina at Greensboro. (One semester residency)
One Shot Deal, Lecture, University of Georgia, Athens, Georgia
The Regional Artist: The Virtues and Perils of Being a Regional Artist, Chair of panel, College Art Association Conference, San Antonio, Texas
Schizophrenia, Lecture, Texas A & M, Corpus Christi, Texas.
1994-96 Advisory Panel, Exhibits U.S.A, Kansas City, Missouri
Executive Director, ArtLies, A Texas Art Journal, Houston, Texas
1994 International Artist In Residence Panel, The Pace-Roberts Foundation for Contemporary Art, San Antonio, Texas
1994 Westaf/NEA Regional Fellowships for Visual Artists Panel, Western States Arts Federation, Sante Fe, New Mexico
Advancement: Visual Arts Panel, National Endowment for The Arts Washington, D.C.
1993-96 Artist Advisory Board, Lawndale Art & Performance Center, Houston, Texas
1993-Present Board of Directors, ArtLies Magazine, Houston, Texas
1993 Artist in Residence, University of Minnesota, Minneapolis, Minnesota (Three day residency)
1992 Awards to Artists Committee, Dallas Museum of Art, Dallas, Texas.
1991 Visual Artist Organizations Panel, National Endowment for the Arts, Washington, D.C.
1990-91 Artist in Residence, East Carolina University, Greenville, North Carolina. (One year residency)
1989 Artists' Project: New Forms Panel, National Endowment for the Arts, Washington, D.C.
1985-87 Artist Advisory Board, Diverse Works, Houston, Texas
1976-77 President, Art Student Society, New Mexico State University, Las Cruces, New Mexico
1972 Chair, Entertainment Committee, Program Council, University of Houston, Houston, Texas

ESSAYS, INTERVIEWS AND REVIEWS

2002 Viral Infection: The Work of Greg Rubio and Ann-Michele Morales, Brochure Essay, Art Museum of South Texas, Corpus Christi.
Texas Works, Catalogue Essay, Buddy Holly Center, Lubbock, Texas
2000 Falling Eyes: The Bridge Between the Physical and the Metaphysical. ArtLies #27, Houston, Texas. (Essay)
Icon of Despair – Michael Tracy, Didactic Panel for Dallas Museum of Art, Dallas, Texas
1999 Interview with Celia Munoz, ArtLies #24, Houston, Texas
Museum Architecture in Texas, ArtLies #22, Houston, Texas. (Co-editor)
Connie Arismendi and Kathy Vargas, Brochure Essay, CRCA: The Gallery at UTA, Arlington, Texas
Women of Steel, Brochure Essay, 5501 Columbia, Dallas, Texas
1998 Cesar Martinez, Brochure Essay, ArtPace, San Antonio.
El Mestizo en las Americas: Cesar Martinez, Cesar Martinez: Cultura de South Texas, Catalogue Essay, Art Museum of South Texas,
Corpus Christi, Texas
Cesar Martinez, ArtPace, San Antonio. ArtLies #17, Houston, Texas. (Review)
1997 Introduction: Working Class Heroes, Luis Jimenez; Working Class Heroes: Images from the Popular Culture, Catalogue Essay, Exhibits USA, Kansas City, Missouri
Notations on Texas Art, Establishment and Revelation, Catalogue Essay, Dallas Visual Art Center, Dallas, Texas.
1996-97 Interview with Emily Todd. ArtLies #13, Houston, Texas.
1996 Inescapable Histories: Inward Gaze to the World, Inescapable Histories: Mel Chin, Catalogue Essay, Exhibits USA, Kansas City, Missouri
Linda Ridgeway, Visual Essays, Gerald Peters Gallery, Dallas, Texas. ArtLies #12, Houston, Texas. (Review)
Roger Shimomura, Delayed Reactions, The Weatherspoon Art Gallery, Greensboro, North Carolina. ArtLies #11, Houston, Texas. (Review)
Odd Nerdum, Recent Paintings, Cleveland Center for Contemporary Art, Cleveland, Ohio. ArtLies #10, Houston, Texas. (Review)
Rock and Roll Hall of Fame and Museum, Cleveland, Ohio. ArtLies #10, Houston, Texas. (Review)
1995 Interview with Marti Mayo. Houston, Texas. With John Bryant. ArtLies #6, Houston, Texas
1991 Introduction, Contemporary Hispanic Women Artists of Texas, Catalogue Essay, Art Center, Waco, Texas.
1986-87 Chulas Fronteras, Chulas Fronteras: An Exhibition of Contemporary Texas Hispanic Art, Catalogue Essay. Midtown Art Center, Houston Texas.

PUBLIC COLLECTIONS

Albuquerque Museum of Art, Albuquerque, New Mexico, 1999
American Airlines, Admirals Club, DFW Airport, Arlington, Texas, 2000
Anthony Foundation, Houston, Texas, 1985
Art Museum of South Texas, Corpus Christi, Texas, 1996, 1998, 2000
Art Museum of Southeast Texas, Beaumont, Texas, 1991
A. H. Belo Corporation, Dallas, Texas, 1999
Cadell and Conwell, Houston, Texas, 1997
Coastal Bend Savings, Houston, Texas, 1983
Colegio de la Frontera Norte, Tijuana, Mexico, 1994
Corpus Christi Public Library, Corpus Christi, Texas, 1987
Crowley, Marks and Douglas, Houston, Texas, 1990
El Paso Museum of Art, El Paso, Texas, 2000
Hiram Walker, Inc., Windsor, Canada, 1988
Hispanic Research Center, Arizona State University, Tempe, Arizona, 1997
IBM, Austin, Texas, 1983
Library of Congress, Washington, D.C., 2002
Menil Collection, Houston, Texas, 1982
Museum of Fine Arts, Houston, Texas, 1989, 1995
Museum of Texas Tech University, Lubbock, Texas, 1998
Polk Museum of Art, Lakeland, Florida, 2001
Ritz-Carlton, San Juan, Puerto Rico, 1997
Seattle Arts Commission, Seattle, Washington, 2001
Southwestern Bell Corporation, San Antonio, Texas, 1994
Sheldon Museum of Art, University of Nebraska, Omaha, Nebraska, 1998
Spencer Museum of Art, Lawrence, Kansas, 1998, 1999
Stauback Company, Houston, Texas, 1996
United Energy Resources, Houston, Texas, 1982
University Art Gallery, New Mexico State University, Las Cruces, New Mexico, 1989, 2000
University of Arizona Art Museum, Tucson, Arizona, 2002
University of Texas at San Antonio, San Antonio, Texas 2003
University Museum, Arizona State University, Tempe, Arizona, 1993
Weatherspoon Art Gallery, University of North Carolina at Greensboro, 1995

AWARDS, FELLOWSHIPS and GRANTS

2002 Legend of the Year – Artist, Dallas Center of Contemporary Art, Dallas, Texas
2001-2002 Curatorial Texas Studio Visits Grant, Texas Commission of the Arts, Austin, Texas
2001 Assistance League of Houston, Honorable Mention, Houston, Texas
1998 Mitchell A. Wilder Award, Excellence in Publication and Media Design, Gift Memebership Can Design, Dallas Visual Art Center, Dallas, Texas
1990 Mid-America Art Alliance NEA Regional Fellowship, Kansas City, Missouri

GALLERY AFFILATIONS

d berman gallery, Austin, Texas
William Campbell Contemporary Art, Fort Worth, Texas (Prints)
Parchman-Stremmel Gallery, San Antonio, Texas

BIBLIOGRAPHY

Robinson, Gaile, Public Works, Fort Worth Star-Telegram, April 17, 2003
Mariani, Anthony, The Scream, Fort Worth Weekly, April 10-16, 2003
Mitchell, Charles Dee, World Beater, Dallas Morning News, September 19, 2002
Austin, John, Curator Keeps his Art Moving, Fort Worth Star-Telegram, September 19, 2002
Olivera, Mercedes, Don’t Paint Artists with a Narrow Brush, Dallas Morning News, August 31, 2002
Daniel, Mike, Hot Ticket, Dallas Morning News “Guide”, August 23, 2002
Sutlief, Shannon, Night and Day, Dallas Observer, August 22-28, 2002
Hoskins, Jason, Inside the Mind of a Texas Legend, The Shorthorn, July 25, 2002
Kutner, Janet, Legend Awardees Chosen, Dallas Morning News, July 16, 2002
Langford, Terri, Committee Chooses Airport Artists, Dallas Morning News, May 18, 2002
Stevens, Liz, Eyesore or Artwork? Six Conceptual Solutions to Tornado-Battered Bank One Building, Fort Worth Star-Telegram, Fort Worth, Texas. April 7, 2002
Agee, Mark, Art Students Picture Themselves as Professionals, Fort Worth Star-Telgram, March 29, 2002
Werland, Merideth, The Power of Place, Voices of Art (San Antonio, TX), Volume 10, Number 2, 2002
Glasstire Recommends, Glasstire – Texas Visual Arts Online, September 17,2001
Vine, Katy, At Home with Range, Texas Monthly, September, 2001
Moon, Shelly, Monument to the Art of Diplomacy, Arlington Star-Telegram, July 21, 2001
Summers, Angie, Local Artists Finishing Piece in Sister City, Arlington Star-Telegram, June, 2001
In 14 Tagen ein “Schelles Kunstwerk,” June 2001
McCabe, Bret, 2001 Biennial Juried Exhibition, Glasstire – Texas Visual Arts Online, June 21, 2001
En San Lorenzo, El CCPA Abre Sucursal, Ultima Hora, June 15, 2001
Obras de Artistas Nacionales y Norteamericanos, NES, June 15, 2001
CCPA Inaugura Nuevo Local en San Lorenzo con Exposión, ABC, June 15, 2001
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Marton, Andrew, The Many Faces of Arlington Art, Fort Worth Star-Telegram Startime, April 13-19, 2001
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Celebrity Q&A, Canvas, Fall, 1999
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Johnson, Patricia, The People at the Bus Stop Look Up, Zest Magazine, Houston Chronicle, June 20, 1999
Mitchell, Charles Dee, Benito Huerta, David McGee at CRCA, Dallas Morning News, February 26, 1999
Weinstein, Joel, A Friendly Artistic Rivalry with Texas Roots, Fort Worth Star-Telagram, February 11, 1999
Warwick, Sharon, Arte Latino, Latino Monthly, Febrero 1999
Philpot, Robert, Airing it Out, Fort Worth Star-Telegram, January 17, 1999
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Austin, John, Jury's in: Huerta Expected to Boost UTA Art Presence, Arlington Star-Telegram, November 16, 1997
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Mitchell, Charles Dee, Benito Huerta at the Bath House Cultural Center, Art in America, October, 1997
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Austin, John, UTA Art Gallery to Host Faculty Show, Fort Worth Star-Telegram Startime, September 5 – 11, 1997
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Irvine, Madeline, Pages of Artists' Efforts, Austin American-Statesman, February 17, 1996
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Works by Corpus Artist on Display, The Brownsville Herald, January 17, 1996
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Lillis, Karen E., Break on Through..., Austin Chronicle, July 22, 1994
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Artner, Alan G., Mapping things out: Artist’s take on cartography isn’t about giving directions, Chicago Tribune, May 29, 1994
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Goldman, Saundra, Benito Huerta, New Art Examiner, January 1994
Moody, Tom, Benito Huerta, Artforum, January, 1994
Fink, Leigh, Day Without Art Honors Aids Victims, The Daily Texan, December 1, 1993
Goldman, Saundra, Day Without Art Focuses on Awareness of Aids, Austin-American Statesman, December 1, 1993
Kalil, Susie, Art and About, Houston Press, November 11, 1993
Johnson, Patricia. Artist presents a mix of styles, Houston Chronicle, November 27, 1993
Levy, Rebecca, Fears and Desires, Austin Chronicle, Austin, Texas, October 22, 1993.
Goldman, Sandra, Definite Angles Dominate Art, Austin-American Statesman, October, 16, 1993
Benito Huerta Returns to Galeria Sin Fronteras, ARRIBA, Austin, Texas, September 10, 1993
Kalil, Susie, Deep in the Art of Texas: Curating Texas artists: Lawndale is lively, Diverse Works is disturbing and the MFA is mediocre, Houston Press, October 7, 1993
Chadwick, Susan, Private Visions, Public Art, Houston Post, July 6, 1993
Goddard, Dan R., Faces Fill Galleries Beyond ‘CARA', San Antonio Express-News, June 8, 1993
Steinberg, David, Contemporary Diversity: ‘Visions of Excellence VII’ Includes Social Issues, Albuquerque Journal, Sunday, May 2, 1993
Wong, Teresa, Benito Huerta, From Paintings To Public Art, Museum and Arts, Houston, TX, May 1993
Art and Public Housing, Museum & Arts, Houston, TX, December 1992
Sherman, Ann Elliott, Barbed Cues, Metro, San Jose, California, December 10-16, 1992
MaClay, Catherine, Making Art on the Border: Benito Huerta crosses cultures, combines media, San Jose Mercury News, November 13, 1992
Benito Huerta: Attempted, Not Known at San Jose Museum of Art, Nov. 7, San Jose El Observador, Nov. 4, 1992
Benito Huerta: Attempted, Not Known, Frameworks, Sept./Nov. 1992
Nelson, Robert, Chicano artist shies from politics, El Paso Times, August 1992
Thorson, Alice, A void looms large in art world, The Kansas City Star, June 21, 1992
Oleson, J.R., Exhibit Contrasts Hispanic Art, Austin American-Statesman, May 1992
Batres de Estrada, Yolanda, Benito Huerta, New Art Examiner, April 1992
Thorson, Alice, The dangers of the label “Multi-culti”, The Kansas City Star, January, 1992
Hamon, Vincent, Benito Huerta Exhibit at The Nelson-Atkins Museum, Dos Mundos, December 1991
Tyson, Janet, Benito Huerta: A man of many metaphors, Fort Worth Star-Telegram, September 1991
Caruso, Laura, Regional Show Now Dominated by Texas Artists, The Kansas City Star, February 17, 1991
Caruso, Laura, Biennial Explores This, That and Old Hat, The Kansas City Star, February 2, 1991
Morris, Tom, Winter Shows, The Daily Reflector, Greenville, North Carolina, December 30, 1990
Zeitlin, Marilyn, Benito Huerta, Artspace, May/June, 1990
Nightbyrd, Jeff, Inside Huerta’s Maze, Austin Chronicle, August 1990
Oleson, J. R., Huerta’s art a window to his soul, Austin American Statesman, August 1990
Chadwick, Susan, Glory of Texas Art, Houston Post, January 19, 1990
Vander Lee, Jana, Dichotomies, Choices, Significant Factories, Siren, Houston, Texas, May 1990
Johnson, Patricia C., Benito Huerta Explores New Subject With Verve, Houston Chronicle,
April 13, 1990
Roberts, Anne, Expanded Vision, Public News, Houston, TX, April 16, 1991
Chadwick, Susan, A mosaic of the Hispanic life in Texas, Houston Post, April 1, 1990
Chadwick, Susan, Freedom of expression, Houston Post, January 25, 1990
Lewis, Pamela, Artists Filling Their Plates with Images, Houston Post, December 21, 1989
Johnson, Patricia C., Ignore theme to enjoy exhibit, Houston Chronicle, December 5, 1989
Chadwick, Susan, Exhibit is a Puzzling Array of Shapes, Houston Post, November 1989
Johnson, Patricia C., Talent in Textures, Houston Chronicle, November 1989
Kafka, Alexander, The Art of Benito Huerta, Corpus Christi Caller-Times, October 3, 1989
McBride, Elizabeth, Heads: Figure, Tails: Content, Public News, Houston, TX, January 1989
Johnson, Patricia C., Artists in ‘Plate Show II’ Used Unfamiliar Materials, Houston Chronicle, December 18, 1988
Smith, Karen M., Spicy Art, Metropolis, Miami, Florida, November 16, 1988
Cunningham, Kevin, Paisley Gone Soft, Eleven x Fourteen, Houston, TX, Summer 1988
Chadwick, Susan, Artist Paints Revolutionary View of World, Houston Post, May 8, 1988
Goddard, Dan R., Blue Star Art Show Overlooks Local Art, San Antonio Express-News, May 1, 1988
Nieto, Margarita, Doors Opened and Closed, Artweek, April 30, 1988
Johnson, Patricia C., Variety Surfaces in Exhibit of Fish Work, Houston Chronicle, April 15, 1988
Johnson, Patricia C., Something old, something new, combining words and pictures too, Houston Chronicle, February 1988
Cunningham, Kevin, Pick Up Your Cues, Public News, Houston, TX, January 27, 1988
Graham, Bill, Visiting Galleries, Eleven x Fourteen, Houston, TX, Winter, 1988
Jarmusch, Ann, Vision of the Americas, Dallas Times-Herald, September, 1987
McBride, Elizabeth, Houston Letter, Artspace, Summer 1987
Chadwick, Susan, True Wit’ Seems to be Missing from Art Exhibit, Houston Post, August 9, 1987
Johnson, Patricia C., Double-Bill at Glassell School Focuses on Hispanic Artists, Houston Chronicle, June 20, 1987
Salazar, Gregorio, Ancient Culture, New Artists, Public News, Houston, TX, June 17, 1987
Gambrell, Jamey, Texas: State of the Art, Art in America, March and April 1987
Johnson, Patricia C., Art: A sampling of what’s available from area galleries, Houston Chronicle, December, 1986
Raynor, Vivien, Art: Mira Exhibition at El Museo del Barrio, New York Times, January 1986
Winship, Frederick M., Pioneering NY. Museum Showcase Hispanic Art, Houston Chronicle (U.P.I.), October 14, 1985
Johnson, Patricia C., “Expose”, Texas, Houston Chronicle, March 31, 1985
Johnson, Patricia C., 6 Non-Profit Galleries Hold Multi-Faceted Exhibition, Houston Chronicle, April 14, 1985
Johnson, Patricia C., ”Seen, Unseen” Worth A Visit, Houston Chronicle, October 1983
Johnson, Patricia C., Local Show spotlights exceptional Hispanic art, Houston Chronicle, September, 1981

BIBLIOGRAPHY: CURATORIAL OR JURIED

Marker, Aubrey S., Galveston Creative Forces, Voices of Art, Volume 11, Issue 1, 2003
Biederman, Christine, Hot, Hot and Not, Dallas Observer, September 12 – 18, 2002
Jones, Nanthaniel, Stepping Up, Arlington Star-Telegram, August 12, 2002
Godard, Dan R., N. Texas Artist’s Heart in S.A., San Antonio Express News, April 26, 2002
Rayburn, Henry, Guide Through Her History, San Antonio Current, April 23, 2002
Agee, Mark, Color Theme, Fort Worth Star-Telegram Startime, March 29, 2002
Daniel, Mike, Figurative Art at The Gallery at UTA, Dallas Morning News’ Guide, February 22, 2002
Daniel, Mike, Gallery Night in Fort Worth, Dallas Morning News’ Guide, September 7, 2001
Allison, Ty, Romantic Works, UTA Shorthorn, September 4, 2001
Summers, Angie, Creatures Featured, Startime, Fort Worth Star-Telegram, June 22, 2001
Garay, Anabelle, Femine Discourse, UTA Shorthorn, April 19, 2001
Daniel, Mike, ‘Private Collections’ at UTA, Dallas Morning News Guide, March 30, 2001
Kutner, Janet, Caricature Studies, Dallas Morning News, February 21, 2001
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Goolsby, Kathy A., No Laughing Matter, Arlington Morning News, January 28, 2001
Allison, Ty, Somber Toons, The Shorthorn, January 25, 2001
Mueller, Sarah, Simplistic Forms, The Shorthorn, October 12, 2000
Art Reception, Fort Worth Star-Telegram, September 15, 2000
Schrock, Seth, The Art of Self, The Shorthorn, September 5, 2000
Allison, Ty, Romantic Works, The Shorthorn (UTA), September 4, 2000
Sime, Tom, Bringing ‘Death Row’ Alive, Dallas Morning News, April 20, 2000
Traben, Jason, Speakers at UTA Forum Criticize Death Penalty, Arlington Morning News, March 12, 2000
Garay-Stephenson, Anabelle, Execution Art, UTA Shorthorn, March 9, 2000
Goolsby, Kathy A., A View of Death Row, Arlington Morning News, March 3, 2000
Lethal Exhibit, Fort Worth Star-Telegram, March 3, 2000
Horton, Rachel, Public Transit, Art Discussed, Arlington Morning News, January 30, 2000
Daniel, Mike, Arlington Show Examines Art in Public Places, Dallas Morning News Guide, January 28, 2000
Austin, John, Art from a DART Perspective, Fort Worth Star-Telegram, January 28, 2000
Baker, Sarah, UTA Art Exhibit Sparks Discussion, UTA Shorthorn, January 27, 2000
Summers, Angie, Public Art Works, Fort Worth Star-Telegram, January 19, 2000
Bravo, Armando Alvarez, Imagenes de la Cultura Popular, Miami-El Nuevo Herald, October 24, 1999
Akhtar, Suzanne, In Back to Basics ‘Texas Paper,’ Artists Tell a Variety of Stories, Fort Worth Star-Telegram, October 17, 1999
Dietsch, Deborsh K., Southwest Odyssey, South Florida Sun Sentinal, September 26, 1999
Turner, Elisa, Technicolor Culture, The Miami Herald, September 18, 1999
Johnson, Carmen, Latino Celebration to be Held, The Oklahoman Daily, July 9, 1999
Brandenburg, John, Luis Jimenez, The Norman Oklahoman, April 30, 1999
Mitchell, Charles Dee, A Baroque Populism, Art in America, March 1999
Kalil, Susie, Spirit of Texas: Luis Jimenez Approaches the Intangible by Depicting the Flesh, The Houston Press, February 11-17, 1999
Johnson, Patricia C., Luis Jimenez’s Colorful, Humanist work is Hopeful, Houston Chronicle, January 22, 1999
Jimenez’s Working Class Heroes, Houston Press, January 21-27, 1999
Patterson, Tom, Getting a New Coat of Paint, Winston-Salem Journal, December 27, 1998
Goddard, Dan R., Blending Cultures, San Antonio Express-News, November 18, 1998
Goddard, Dan R., S.A. Artist Opens ‘Historic’ Corpus Christi Exhibit, San Antonio Express-News, October 8, 1998
Bernstein, Ellen, The Color of Culture, Corpus Christi Caller-Times, October 4, 1998
Akhtar, Suzanne, Layered Images, Vivid Portraits and Shooting Stars Alight at UTA, Fort Worth Star-Telegram, September 27, 1998
Mitchell, Charles Dee, Get a Jump on the Gallery Season with Two Early Entries, Dallas Morning News, September 10, 1998
Clarex, Byron, Mel Chin, Sculpture, September, 1998
Donna Tennant, Working Class Heroes, Southwest Art, April 1998
Rankin, Jennifer, Feats of Clay, Arlington Morning News, March 5, 1998
Suzanne Akhtar, Artists use Delicacy, Strength to Reflect Life's Mysteries, Star-Telegram (Fort Worth), March 15, 1998
Farr, Sheila, Inescapable Histories, Mel Chin, Seattle Weekly, March 12, 1998
Rankin, Jennifer, Instants in Fleeting, Arlington Morning News, March 6, 1998
Suzanne Akhtar, Willing Spirit and Weak Flesh Captured in UTA Exhibit, Star-Telegram (Fort Worth), February 8, 1998
Austin, John, Into the Mix, Arlington Star-Telegram Startime, January 23-29, 1998
Daniel, Mike, Different Approaches, Same Issues, Dallas Morning News Guide, January 18, 1998
Rose, Joshua, Passionate Statement, Artistic Activist Grabs the Eye - Then the Heart, Get out, (Phoenix, AZ), September 11, 1997
Burg, Jenny, Hot in the Tail of Multimedia Artist Mel Chin, Art and Antiques, August 1997
Whitney, Kathleen, Man on Fire, Sculpture, July/August 1997
Mel Chin, Dallas Observer, July 10-16, 1997
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Mitchell, Charles Dee, Critical Imagery, Dallas Morning News, July 2. 1997
Akhtar, Suzanne, Houston Artist Brings World View to Irving Arts Center, Star Telegram, July 27, 1997
Marvel, Bill, High Profile: Luis Jimenez, Dallas Morning News, July 27, 1997
Arevalo, Phil, "Tres Proyectos Latinos" Provokes Questions, Voices of Art, Volume 5, Number 3 July/August 1997
Artist's Work Focuses on Complex Issues, Longview News Journal, July 20. 1997
Stevens, Liz, Luis Jimenez's Larger-than-Life Sculptures make Heroes of Everyday People, Fort Worth Star Telegram, June 24, 1997
Goodrich, Terry Lee, Diversity of Creativity, Fort Worth Star-Telegram Startime, June 13-19, 1997
Daniel, Mike, Sculptor Tackles Cross-Cultural Controversy, Dallas Morning News Guide, June 6, 1997
Cohen, Rebecca S., Tres Proyectos Latinos & Young Latino Artists, Austin Chronicle, June 1997
Gaona, Elena, Texas Sculptor Depicts Real-Life Heroes, Sa Fuente (Dallas), June 4, 1997
Working Class Heroes, Texas Highways, June 1997
Kutner, Janet, Art and Soul: Luis Jimenez, Populist's Images Extol Common People, Dallas Morning News, June 1, 1997
Irvine, Madeline, Museum as Laboratory, 'Tres Projectos' Explores Complexity of Latino Experience, Austin American-Statesman, May 24, 1997
“Tres Proyectos” Showcases Latino Art, Arriba, May 23-June 5, 1997
Kutner, Janet, Humble and Heroic, Dallas Morning News, May 16, 1997
Tyson, Janet, Crossing Cultures to Build a Reputation, Fort Worth Star-Telgram, May 16, 1997
Luis Jimenez Expone en el Museo de Arte de Dallas, El Extra, May 16, 1997
Events: Luis Jimenez, Dallas Observer, May 15-21, 1997
Curtis, Gregory, Study in Stereotypes, Texas Monthly, May 1997
Friedman, Ann, Art & Ideas, The Bellingham Herald, January 31, 1997
Colpitt, Fran, Contemporary Art Month, Circa Ca., Fall 1995
Gouldman, Saundra, Contemporary Hispanic Women Artists, Art Papers, September-October 1991
Chadwick, Susan, Art Center Making Comeback, Houston Post, August 11, 1991
Salas, Abel, Contemporary Hispanic Women Artists Exhibit Impressive Work At Laguna Gloria, Arriba, June 1990
Oleson, J.R., 2 Laguna Gloria Shows Strike Balance, Austin American-Statesman, June 8, 1991
Johnson, Patricia C., Exhibit Features Hispanic, Latin Art, Houston Chronicle, May 1986
Chulas Fronteras, Inquirer, Houston, TX, April-May, 1986
Chadwick, Susan, Hispanic art exhibited, Houston Post, August, 1986
Mitchell, Charles Dee, Fronteras Gracefully Crosses Artistic Borders, Dallas Observer, June 1986
Gambrell, Jamey, Texas: State of the Art, Art in America, March and April 1987
Johnson, Patricia C., ”Seen, Unseen” Worth A Visit, Houston Chronicle, October 1983

PUBLICATIONS

Contemporary Chicana and Chicano Art: Artists, Works, Culture and Education, Gary Keller, Joaquin Alvarado, Kaytie Johnson and Mary Erickson, 2002, Hispanic Art Center, Arizona State University, Bilingue Press. Tempe Arizona
Symposium: Collecting Latin American Art for the 21st Century, Luis Perez Oramas, Oliver Debroise, Tomás Ybarra-Frausto and Mari Carmen Ramirez, 2002, Museum of Fine Arts, Houston.
Tex: A Magazine of Texas Fiction, Poetry and Art, Fall/Winter 2000, Volume 3 #1, pg. 13. The Writer’s Garret in partnership with The Dallas Morning News.
Texas: 150 Works from the Museum of Fine Arts, Houston, Alison de Lima Greene, 2000, pp. 105, 182, 236. Harry N. Abrams, Inc.Publishers, New York, New York.
5000 Artists Return to Artists Space: 25 Years, Claudia Gould and Valerie Smith, 1998, pp. 222, 331. Artists Space, Publisher.
A Place for All People, The Museum of Fine Arts, Houston, Beth B. Schneider, 1998, pp. 63, 70, 143, 185, 190.
American Imges: The SBC Collection of Twentieth-Century American Art, 1996, p. 291. Harry N. Abrams, Inc. Publishers, New York, New York.
African Passions, A Novel by Beatriz Rivera, 1995, Cover. Arte Publico Press, Houston, Texas.
Black Velvet, The Art We Love to Hate, Jennifer Heath, 1994, pp. 7, 86-87.
Pomegranate Artbooks, San Francisco, California.
I Am Curious, Orange, Artist Book (Edition-17), 1994. Flat Tortilla Press and The Orange Show, Houston, Texas.
Diverse Works Artspace, 1983-1993, Elizabeth McBride and Lorenzo Thomas, 1993, pp. 11, 16, 17, 33, 88, 94
X: The Greatest Hits Of Benito Huerta, 1974-1984, Artist Book, (Signed, Deluxe Edition-33; Color-Copy, Signed Edition-Unlimited; Black and White, Unsigned Edition-Unlimited) 1984-93. Flat Tortilla Press, Houston, Texas
Mixed Blessings, New Art In A Multi-cultural America, Lucy Lippard, 1990, p 225. Pantheon Press, New York, New York.
The Greatest Performance, A Novel by Elias Miguel Munoz, 1991, Cover. Arte Publico Press, Houston, Texas
Season's Greetings, Artist Book (Edition 500), 1991. Bayou Books, Contemporary Arts Museum, Houston, Texas.
Gulf Coast, A Literary Magazine, Vol. II, No 2, Spring / Summer 1988, pp 16-18. Creative Writing Program, University of Houston, Houston, Texas.
Gulf Coast, A Literary Magazine, Vol. II, No 1, Fall/ Winter 1987-8, Cover. Creative Writing Program, University of Houston, Houston, Texas.
Imagine, International Chicano Poetry Journal, Vol. III, Nos. 1 & 2, Summer/ Winter, 1986, pp 119-122. Imagine Publishers, Boston, Massachussetts.

RADIO, TELEVISION AND VIDEO

Deep in the Arts, KERA Television, Corey Jones, January 21, 1999
Benito Huerta, DCCA Legend, Dallas Center for Contemporary Art, Dallas, Texas, Nic Nicosia, August, 2002
Sprague, Suzanne, Death Row Exhibit, KERA (NPR), March 10, 2000
Sprague, Suzanne, Post Revolutionary Mexican Art at the Dallas Museum of Art, KERA (NPR), September 16, 1999